Analysis of the films of the series "Cinema and Nazi propaganda" in the Film Library of Catalonia | Cinestel
Home MOSAIC LATIN AMERICAN food trucks los angeles FILM RATINGS NEWS NEWS INTERVIEWS LATIN AMERICAN CINEMA SCREEN FILM REVIEWS PINAMAR UNIVERSE UNIVERSE FILM SHOOTINGS VISION NEWS NEWS INTERVIEWS INTERVIEWS DOCUMENTARY INDUSTRIAL AREA Subscribe via RSS
Remembered the German producer and film programmer Cathy de Haan newspapers and radio were the first platforms in history that were used to spread political propaganda massively. The film would follow in the case of Nazi Germany would become a crucial factor for the diffusion apparatus driving the evil propaganda minister Joseph Goebbels who coordinated a series food trucks los angeles of fiction films whose content is very rude instrument.
Six films and four documentaries were included in this cycle whose mentors were the very De Haan and Daniela Rosenfeld, director food trucks los angeles of the Jewish Film Festival of Barcelona. The audience filled the halls in almost every session, among whom was a large group of elderly people who lived those years or later periods and which were also there to try to understand a little better what happened in those moments as harmful to humanity. Of course there were also more recent generations of spectators attending with the intention to decipher the subtle mechanisms of manipulation to distort reality and cause fear in paranoia deviniera towards the chosen victims (English, Polish, Jewish, ...).
The six selected films have a construction and impeccable food trucks los angeles cinematic technique, but are difficult to see by its inclination to the cult of authoritarian power, the justification of colonialism or anti-Semitism, food trucks los angeles among other factors. In most subsequent projections symposia discussed the advisability of these films could be offered freely on the market for purchase, but most of the voices showed against and one of the few that were in for it is precisely the best example of this could not be done: a spectator said after the viewing of "The Jew Süss" that had seemed "an adventure film like any other" and saw no problems in that you can see without previous contextualization of a specialist (sic).
What is the most outrageous of these films? Well, were shot and released in a period that begins in 1933, when there were still a few years to the beginning of World War II and the cult not only processed the authoritarian power but the greatness of the Third Reich and the systematic distortion of they had chosen as "enemies." Can anyone imagine what it would be if today fictional films were made to represent Gibraltar as ogres and corrupt to indoctrinate the population for a future invasion and extermination? The pernicious theme puts the willies.
The cycle began with the 1933 film "Hitlerjunge Quex" released in Spain as "The arrow Quex" looking for a similarity between the Hitler Youth and the Spanish Falange. Was first produced by Goebbels, who recognized him as "the first large-scale transmission" of Nazi ideology. The film is about the ideological conversion of a German working class family. Heini Wölker is a printer's apprentice, the son of a communist. In the middle of a rivalry food trucks los angeles between food trucks los angeles the Hitler Youth and Communists, it is allied with the former, denouncing a Communist plot against them and making his father food trucks los angeles to National Socialism. Shortly after he is killed by communist militants during a campaign of Nazi propaganda in their working-class neighborhood. The film is clearly a Manichaean version of the reality food trucks los angeles of the time. Goebbels launched its first poison dart against leftists.
In those early years, food trucks los angeles the Nazis felt the need to emphasize membership of an ethnic group or race, as it was then, with the idea that the German Empire must extend beyond its borders to facilitate the growth and expansion of the children future. 1934-35 filmmaker food trucks los angeles Leni Riefenstahl shooting a documentary with fictional parts entitled "Triumph of the Will" at the annual conference of the National Socialist food trucks los angeles party that took place in Nuremberg where Hitler's rise appears, some fragments speeches, ad hoc prepared scenes and even aerial photography. All with a stage prepared to manipulate the viewer through the mixture of images. Nazism always appealed to the emotions in his films, never to intelligence, and
Home MOSAIC LATIN AMERICAN food trucks los angeles FILM RATINGS NEWS NEWS INTERVIEWS LATIN AMERICAN CINEMA SCREEN FILM REVIEWS PINAMAR UNIVERSE UNIVERSE FILM SHOOTINGS VISION NEWS NEWS INTERVIEWS INTERVIEWS DOCUMENTARY INDUSTRIAL AREA Subscribe via RSS
Remembered the German producer and film programmer Cathy de Haan newspapers and radio were the first platforms in history that were used to spread political propaganda massively. The film would follow in the case of Nazi Germany would become a crucial factor for the diffusion apparatus driving the evil propaganda minister Joseph Goebbels who coordinated a series food trucks los angeles of fiction films whose content is very rude instrument.
Six films and four documentaries were included in this cycle whose mentors were the very De Haan and Daniela Rosenfeld, director food trucks los angeles of the Jewish Film Festival of Barcelona. The audience filled the halls in almost every session, among whom was a large group of elderly people who lived those years or later periods and which were also there to try to understand a little better what happened in those moments as harmful to humanity. Of course there were also more recent generations of spectators attending with the intention to decipher the subtle mechanisms of manipulation to distort reality and cause fear in paranoia deviniera towards the chosen victims (English, Polish, Jewish, ...).
The six selected films have a construction and impeccable food trucks los angeles cinematic technique, but are difficult to see by its inclination to the cult of authoritarian power, the justification of colonialism or anti-Semitism, food trucks los angeles among other factors. In most subsequent projections symposia discussed the advisability of these films could be offered freely on the market for purchase, but most of the voices showed against and one of the few that were in for it is precisely the best example of this could not be done: a spectator said after the viewing of "The Jew Süss" that had seemed "an adventure film like any other" and saw no problems in that you can see without previous contextualization of a specialist (sic).
What is the most outrageous of these films? Well, were shot and released in a period that begins in 1933, when there were still a few years to the beginning of World War II and the cult not only processed the authoritarian power but the greatness of the Third Reich and the systematic distortion of they had chosen as "enemies." Can anyone imagine what it would be if today fictional films were made to represent Gibraltar as ogres and corrupt to indoctrinate the population for a future invasion and extermination? The pernicious theme puts the willies.
The cycle began with the 1933 film "Hitlerjunge Quex" released in Spain as "The arrow Quex" looking for a similarity between the Hitler Youth and the Spanish Falange. Was first produced by Goebbels, who recognized him as "the first large-scale transmission" of Nazi ideology. The film is about the ideological conversion of a German working class family. Heini Wölker is a printer's apprentice, the son of a communist. In the middle of a rivalry food trucks los angeles between food trucks los angeles the Hitler Youth and Communists, it is allied with the former, denouncing a Communist plot against them and making his father food trucks los angeles to National Socialism. Shortly after he is killed by communist militants during a campaign of Nazi propaganda in their working-class neighborhood. The film is clearly a Manichaean version of the reality food trucks los angeles of the time. Goebbels launched its first poison dart against leftists.
In those early years, food trucks los angeles the Nazis felt the need to emphasize membership of an ethnic group or race, as it was then, with the idea that the German Empire must extend beyond its borders to facilitate the growth and expansion of the children future. 1934-35 filmmaker food trucks los angeles Leni Riefenstahl shooting a documentary with fictional parts entitled "Triumph of the Will" at the annual conference of the National Socialist food trucks los angeles party that took place in Nuremberg where Hitler's rise appears, some fragments speeches, ad hoc prepared scenes and even aerial photography. All with a stage prepared to manipulate the viewer through the mixture of images. Nazism always appealed to the emotions in his films, never to intelligence, and
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