Related taiping sentral cinema Posts: sister, child, ariska anggraini flower, love, meet, bima, mov

Jundi muhammad yusuf allah Robbani neti Suriana wibisono hidayat nasution grace kevin Wahyono way humans nur rokhanah the world's children water plants benefit Ahmad Azhari game Pohan the prophet products
The film is written Garin Nugroho's duet with Armantono able to make me cry and laugh simultaneously. Initially, I was crowned the Martyr movie starring handsome actor terapik Duke dolken as the number one movie in the liver, but after watching this film was successfully shifted position. This film is about the lives of three children on the outskirts of Yogyakarta city streets named Heru, the hare, and Sugeng who hope out of poverty through the rigors of life on the streets. Various ways they have taken to meet expectations, ranging from selling taiping sentral cinema marijuana, stealing, singing to make graffiti. Unfortunately, the good fortune did not favor the poor kid was third. Their hopes were dashed after the end of that tragic happen to them one by one. The road of life is not depressing enough to make people turn on their rank. Rather unfortunate life insurance used by the mafia to meet personal pockets. But unfortunately, the film coincided with the end of the reform era did not discuss Heru deaths caused by the insurance mafia in depth. There is also the impression of floating in Asih character, taiping sentral cinema played beautifully by Christine Hakim. Invited as spectators to guess who the real Asih. Either she's a prostitute or just a lonely woman due to her husband's cruelty? As a spectator, I also feel confused and emotional relationship that exists between the three Asih with the street children. When the scene one by one the street children died, crying Asih loss. But on the other hand, Asih as indifferent to the street children. Whether it's because Asih really ignorant or because he was afraid of losing when the children taiping sentral cinema actually taiping sentral cinema leave? With eighty-three minute duration, Garin manages to present social reality is concentrated with simple diction than his other films. Although the title is very poetic, the film is far from being addictive thanks to the nuances of the lives of street children so enjoy. As if the audience is able to feel the laughter taiping sentral cinema and sadness experienced by Heru, Sugeng and hare. The scene that touched me the most is when the deer singers steal the little pillow belonging to his brother. Great longing deer on deer stealing his sister made the pillow and presented it to his brother. but unfortunately, have not had time to meet her sister taiping sentral cinema the Kancil must face the tragic story. The hare reminds me of my cousin who is a orphan named Milky. Also face similar fate equally separated them from his brother successfully made me shed a tear (a rare thing when I was watching a movie). Fortunately, such a tragic story of the hare is not wholly owned by Bima. Still there was a grandmother who took care of the Milky small that the boy did not have to live on the streets and could still feel the school. The lives of street children also make sense of longing whack me to Tina, my little friend. A little girl aged about eight years. I met with Tina when she was singing at a red light that is not far from campus. I still remember taiping sentral cinema clearly, when the night of the week. Sangking boredom settles in a dorm room, I decided to walk around uncontrollably until I stopped at a red light and meet the little girl with long hair. Since then I have so often met him. Incidentally I was also given the task of teaching taiping sentral cinema in a homeless village located taiping sentral cinema in the same town where I went to college. And Tina was also staying there. Since then we often meet, chat and told everything, including Tina's personal life. Indeed there are many portraits of Indonesian children do not yet know. One example is the portrait of street children, taiping sentral cinema a part of our society which is quite neglected. Basic Law Article 34, paragraph 1, which reads "The poor and neglected children maintained by the state" as if just nonsense. The proof to this day there are many street children are neglected. taiping sentral cinema By: Ariska Puspita Anggraini French literary writer is a student of Brawijaya University. Active as a reporter and staff HRM (Human Resources Management) at Institute Campus Press
Related taiping sentral cinema Posts: sister, child, ariska anggraini flower, love, meet, bima, movies, heru, roads, deer, life, red lights, singing, audience, unfortunately, seo, as if, tina, tragic
Posted by Tina Gusty at 22:08 Labels: brother, son, ariska puspita anggraini, love, meet, bima, movies, heru, roads, deer, life, red lights, taiping sentral cinema singing,