Ovaj blog ima za cilj da omogući cathay cinema malaysia publici javno praćenje procesa stvaranja umetničkih radova i izložbi, a time i put od kreativne do tehničke realizacije koja će biti predstavljena cathay cinema malaysia na festivalu Mikser 2013. u Beogradu. Vizuelni umetnički program Kustosiranje: doživljaj u pokretu će biti otvoren od 28.05. do 02.06. u periodu od 18 do 04 časova u ulicama Travnička i Braće Krsmanović u Savamaloj. This blog has a purpose of enabling audience to have a public insight into the process of developing and making artistic works and exhibition, from its creative to technical realisation, which will be presented at Mikser cathay cinema malaysia festival 2013 in Belgrade. Visual artistic programme About and around cathay cinema malaysia curating: thrill in movement will be open from 28th May till 2nd June between 6 PM and 4 AM in Travnička and Braće Krsmanović streets at Savamala.
Nekoliko dana posle prvog zvaničnog susreta svih timova u Mikser house-u 29. aprila , tim 3, koga čine umetnica (snimateljka, direktorka fotografije) Bojana Andrić, cathay cinema malaysia kustoskinja Kristina Grebenar i ja, saradnica kustoskinje Anđela Milinković, se našao u jednom foto-studiu u
Bojana i Kristina
Bojana
Pošto smo Kristina i ja ispipale sve te zanimljive stvari, i usput zapitkivale Bojanu čemu ovo ili ono služi, sele smo sve tri da porazgovaramo o dva Bojanina koncepta koja je imala u vidu za predstojeću izložbu.
Jedan bi se bavio čuvarkućama u Savamaloj, a drugi bi bio transformisanje kamiona u kameru opskuru. Obe ideje su nam, svaka na svoj način bile zanimljive, ali je i Bojani, i Kristini i meni, koncept velike kamere opskure postavljene u Savamaloj bio daleko intrigantniji i veći izazov.
Pričale cathay cinema malaysia smo neko vreme o mogućoj realizaciji tog koncepta, javila su se neka pitanja o tehničkim aspektima te realizacije, zabeležile smo neke najvažnije dileme koje se tiču ovog projekta, a na kraju smo čak i među sobom raspodelile prve obaveze.
Trebalo je napraviti tačan matematički proračun na osnovu koga bi kamera opskura bila funkcionalna, i taj deo posla čekao je Bojanu. Kristina i ja smo u sledećih par dana bile zadužene da napišemo kratak info ovog rada tj. najavu za novinare i da po Bojaninom cathay cinema malaysia javljanju tačnih proračuna, krenemo dalje putem realizacije projekta.
A few days after the first official meeting of all teams in Mixer house on 29 of April , a team number 3, consisting of artist ( director of photography) Bojana Andric cathay cinema malaysia , curator Kristina Grebenar , and I, associate curator Andjela Milinkovic, cathay cinema malaysia was in a photo - studio in cathay cinema malaysia Zemun , where we got together to meet each other a little bit more and to start shaping the initial Bojana`s concept for the exibition . The first meeting , as it should be , was more relaxed then hard-working. Kristina and I met each other in front of Madlenianum and together we went to Bojana`s “ Omnibus” studio. The studio is located cathay cinema malaysia in a picturesque alley of Zemun , overlooking the quay. The studio was full of wonders, lying around there were a bunch of cameras, lights , presses , one darkroom , instruments ... and so on… a real creative chaos. Kristina and I kept asking Bojana what this or that thing is used for , and after we satisfied our curiosity, all three of us started to discuss cathay cinema malaysia two concepts that Bojana had in mind for the upcoming exhibition. One of two concepts deals with guard-houses in Savamala and the other concept would be to transform the truck into a camera obscura . Both ideas sounded great to us , but Bojana , Kristina and I , finally decided that the concept of a large camera obscura installed in Savamala was far more intriguing and challenging. We talked for some time about a possible implementation of this concept cathay cinema malaysia , there have been some questions cathay cinema malaysia about the technical aspects of the implementation, we have written down some of the most important dilemmas relating to this project, and in the end we even have split some assignments among us. We had to have an exact mathematical calculation based on which the camera obscura was to be functional, and that part of the job was waiting for Bojana . Kristina and I in the next
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